Lena Headey, who plays Sarah Connor, talks with Josh Friedman. *
Photo: Courtesy Fox * When I first started working on Terminator: The Sarah Connor Chronicles, the studio gave me a general idea: They wanted to do a show about John and Sarah Connor, set some time after Terminator 2. So, as I was sort of staring at the concept, trying to figure out how I would approach it, I realized that the thing that works about Terminator is the relationships.
But we needed a central relationship to anchor the story. The first Terminator movie was a romance, really, between Kyle and Sarah. The second movie is a father-son story between John and the Terminator. So I thought my show, at its core, would be a family drama, a relationship between a mother and a son who is coming of age. But if we're going to be about Sarah and John, there should be a girl. That's what usually breaks up that Oedipal relationship. And I decided to make the girl a Terminator.
But before I could actually start writing the show, I was diagnosed with kidney cancer. I had to have an operation to remove the tumor, which meant I couldn't write it for that season. So I had a couple of months when I couldn't do anything, and I was in pain. I had this crisis — I went to a therapist, and I said, "What am I doing? I'm going to write a fucking show about a scary robot? Who cares?"
But when she calmed me down, I started reflecting upon it, and I realized that this show really was about my life. It was about mortality. The first voiceover I ever wrote for the series started with "I will die. I will die, and so will you. Death gives no man a pass." That's what the Terminators are — they're death coming to get us.
I still go in every six months for a scan, so I'm constantly reminded of this. It's something we talk about a lot in the writers' room. You know, cancer is cell mutation, and the artificial intelligence Skynet is in some ways a mutation. But more metaphorically, it's about predestination. Can you change your future, or is it something inside you, unchangeable? I had this idea, taken from T3, that Sarah had cancer, but then on our show she time-travels forward, past her death date. So did she jump over her death or merely postpone it? When Sarah did all that exercise in T2, she was doing it to gird herself externally. But I thought it would be interesting if she was doing it to chase something inside herself as well. She has her own personal apocalypse out there in the future — could she exercise enough or take enough vitamins to make it go away?
To me, the show is about what you do with life in the face of death. I mean, yeah, it's a genre show. It's the Terminator, and it's kind of pulpy, and some people think it's past its prime. But you can find yourself in this show. I definitely found myself in it.
Josh Friedman, executive producer of the Terminator: The Sarah Connor Chronicles*, thought he was making a fun TV show. Then he got cancer — and found a metaphor for life. He told this story to Wired senior editor Adam Rogers.*
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